cello i'm dominic

Shit Orchestra Arrangers say:

• Why can't an oboe play a low Bb? Ughhh, that would've sounded PERFECT!
• I can't give this line to the vibraphones, they'd just mess it all up.
• There are 7 notes in this chord, so how the hell am I going to spread THAT out over the violins?
• Celli.
• Guitar players don't need breathmarks, but Woodwind players do. Way to ruin what would've sounded amazing, Mr. Guitar Riff.
• "Thanks for the invite guys, but I have to finish this piece, so I can't go out tonight. Or ever."
• This piece needs more "purple".
• The piece needs more "blue".
• "Let's give this to the trumpets. Actually, no, let's not."
• Ohhhh, I forgot to transpose the score. No wonder why it didn't line up!
• Timpani's, stop messing up my key signatures.
• "If I put triangle here, then this shit is going to raise the roof."
• Should this measure get a new rehearsal mark?
• If I put the 3rd in the bass, then the voicing will work. Damn, but then the 3rd is in the bass!
• It's in 12/8? Worst day ever.
• Where is that dissonant note in this chord? I've looked everywhere!
• They're probably expecting a HUGE crescendo here, so let's drop everything out and give them just a Xylophone solo.
• Unpitched Vocals? Ughhh, this is going to be a long day.
• I need inspiration.
• The need for breathe marks are ruining this phrase. Just killing it.
• Maybe if I take a walk I'll figure it out.
• Should I put a Fugue here?
• This is staring to sound amazing! But is it fun to play?!
• Omg this is going to sound AWESOME.
• Omg this is going to sound HORRIBLE.
• I should've became a mechanical engineer.
• Hi Artistic Director, this is the 5th time I've asked for payment from my arrangement last month.
• Should this part go "ba-da-DUM-da" or should it go "ba-DA-dum-DA"?
• (I spent a month arranging in theory; therefore, I am qualified to reblog this)